Reservoir Dogs: Opening Scene
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Archivo de la etiqueta: Reservoir Dogs
Reservoir Dogs – Mr. Orange
RESERVOIR DOGS trailer
http://youtube.com/v/WCUooZ9iciI
15 años han pasado desde el extreno ya casi lejano de octubre del 92, cuando Reservoir Dogs llegò a los cines por primera vez, apesar de los años su encanto no ha desaparecido, y los personajes de colores aùn suscitan màs de una discusiòn.
RESERVOIR DOGS: escena inicial
http://youtube.com/v/pXx6UN84Sws
La película que cambio muchas cosas en el género, que inventó a Tarantino como ícono, la divertida interpretación sobre el significado de una canción de Madona y la primera mirada a la pandilla antes del gran golpe, sin mayor explicación, nos involucramos con los caracteres y su diferencias
Los diálogos según Quentin
La irrupción e influencia de Quentin Tarantino en el cine, no sólo se debe a su gusto por las escenas de violencia, a las que a pesar de su ferocidad (Como en Kill bill) dota de una rara armonía, que algunos podrían denonimar belleza; o por la construcción de intrincadas líneas narrativas que se alimentan unas con otras, sino especialmente por la naturaleza de sus diálogos, veloces, políticamente incorrectos y que con suma facilidad enlazan elementos de la cultura pop.
Es inolvidable las reflexiones sobre la Big Mac en Pulp Fiction, o el del traficante de armas, la novia dopada y el cliente descolocado en Jackie Brown.
Sin embargo, es en Reservoir Dogs, donde encontramos quizás una de las mejores muestras, de la naturalidad y de los mecanismos de oposición que utiliza Tarantino para el desarrollo de los gialogos, y como estos le sirven para caracterizar a los personajes, para dotarlos de una personalidad identificable y sobre todo por su capacidad de ironizar sobre cosas tan triviales como una canción tan universal como étera «Like a Virgin». Aquí un extracto del guión de RESERVOIR DOGS:
1 INT. UNCLE BOB’S PANCAKE HOUSE – MORNING
Eight men dressed in BLACK SUITS, sit around a table at abreakfast cafe. They are MR. WHITE, MR. PINK, MR. BLUE,MR. BLONDE, MR. ORANGE, MR. BROWN, NICE GUY EDDIE CABOT,and the big boss, JOE CABOT. Most are finished eating andare enjoying coffee and conversation. Joe flips through asmall address book. Mr. Pink is telling a long andinvolved story about Madonna.
Eight men dressed in BLACK SUITS, sit around a table at abreakfast cafe. They are MR. WHITE, MR. PINK, MR. BLUE,MR. BLONDE, MR. ORANGE, MR. BROWN, NICE GUY EDDIE CABOT,and the big boss, JOE CABOT. Most are finished eating andare enjoying coffee and conversation. Joe flips through asmall address book. Mr. Pink is telling a long andinvolved story about Madonna.
MR. PINK
«Like a Virgin» is all about agirl who digs a guy with a bigdick. The whole song is ametaphor for big dicks.
MR. BLUE
No it’s not. It’s about a girlwho is very vulnerable and she’sbeen fucked over a few times.Then she meets some guy who’sreally sensitive–
MR. PINK
–Whoa…whoa…time out Greenbay.Tell that bullshit to thetourists.
JOE(looking through hisaddress book)Toby…who the fuck is Toby?Toby…Toby…think…think…think…
JOE(looking through hisaddress book)Toby…who the fuck is Toby?Toby…Toby…think…think…think…
MR. PINK
It’s not about a nice girl whomeets a sensitive boy. Nowgranted that’s what «True Blue» isabout, no argument about that.
MR. ORANGE
Which one is «True Blue?»
NICE GUY EDDIE
You don’t remember «True Blue?»That was a big ass hit forMadonna. Shit, I don’t evenfollow this Tops In Pops shit, andI’ve at least heard of «TrueBlue.»
MR. ORANGE
Look, asshole, I didn’t say Iain’t heard of it. All I askedwas how does it go? Excuse mefor not being the world’s biggestMadonna fan.
MR. BROWN
I hate Madonna.
MR. BLUE
I like her early stuff. You know,»Lucky Star,» «Borderline» – butonce she got into her «Papa Don’tPreach» phase, I don’t know, Ituned out.
MR. PINK
Hey, fuck all that, I’mmaking a point here. You’re gonnamake me lose my trainof thought.
JOE
Oh fuck, Toby’s that little chinagirl.
MR. WHITE
What’s that?
JOE
I found this old address book in ajacket I ain’t worn in a coon’sage. Toby what? What the fuckwas her last name?
MR. PINK
Where was I?
MR. ORANGE
You said «True Blue» was about anice girl who finds a sensitivefella. But «Like a Virgin» was ametaphor for big dicks.
MR. PINK
Let me tell ya what «Like aVirgin»‘s about. It’s about somecooze who’s a regular fuckmachine.I mean all the time, morning, day,night, afternoon, dick, dick,dick, dick, dick,dick, dick, dick, dick, dick,dick.
MR. BLUE
How many dicks was that?
MR. WHITE
A lot.
MR. PINK
Then one day she meets a JohnHolmes motherfucker, and it’slike, whoa baby. This motherfucker’s like Charles Bronson in»The Great Escape.» He’s diggintunnels. Now she’s gettin thisserious dick action, she’s feelinsomething she ain’t felt sinceforever. Pain.
JOE
Chew? Toby Chew? No.
MR. PINK
It hurts. It hurts her. Itshouldn’t hurt. Her pussy shouldbe Bubble-Yum by now. But whenthis cat fucks her, it hurts. Ithurts like the first time. Thepain is reminding a fuck machine what is was like to be a virgin.Hence, «Like a Virgin.»
The fellas crack up.
The fellas crack up.
JOE
Wong?
MR. PINK
Fuck you, wrong. I’m right! Whatthe fuck do you know about itanyway? You’re still listening toJerry-fucking-Vale.
JOE
Not wrong, dumb ass, Wong! Youknow, like the Chinese name?
Mr. White snatches the address book from Joe’s hand. Theyfight, but they’re not really mad at each other.
Mr. White snatches the address book from Joe’s hand. Theyfight, but they’re not really mad at each other.
MR. WHITE
Give me this fucking thing.
JOE
What the fuck do you think you’redoin? Give me my book back!
MR. WHITE
I’m sick of fuckin hearin it Joe,I’ll give it back when we leave.
JOE
Whaddaya mean, give it to me whenwe leave, give it back now.
MR. WHITE
For the past fifteen minutes now,you’ve just been droning on withnames. «Toby…Toby…Toby…Toby Wong…Toby Wong…TobyChung…fuckin Charlie Chan.» I got Madonna’s big dick outta myright ear, and Toby Jap I-don’t-know-what, outta my left.
JOE
What do you care?
MR. WHITE
When you’re annoying as hell, Icare a lot.
JOE
Give me my book.
MR. WHITE
You gonna put it away?
JOE
I’m gonna do whatever I wanna dowith it.
MR. WHITE
Well, then, I’m afraid I’m gonnahave to keep it.
MR. BLONDE
Joe, you want me to shoot him foryou?
MR. WHITE
Shit, you shoot me in a dream, youbetter wake up and apologize.
NICE GUY EDDIE
Have you guys been listening to K-BILLY’s super sounds of theseventies weekend?
MR. PINK
Yeah, it’s fuckin great isn’t it?
NICE GUY EDDIE
Can you believe the songs theybeen playin?
MR. PINK
No, I can’t. You know what Iheard the other day? «Heartbeat -It’s Lovebeat,» by little Tony De Franco and the DeFranco Family.I haven’t heard that since I wasin fifth fuckin grade.
NICE GUY EDDIE
When I was coming down here, I wasplayin it. And «The Night theLights Went Out in Georgia» cameon. Now I ain’t heard that songsince it was big, but when it wasbig, I heard it a million-trillion times. I’m listening toit this morning, and this was thefirst time I ever realized thatthe lady singing the song, was theone who killed Andy.
MR. BLUE
You didn’t know Vicki Lawrence killed the guy?
NICE GUY EDDIE
I thought the cheatin wife shotAndy.
MR. BLONDE
They say it in the song.
NICE GUY EDDIE
I know, I heard it. I musta zonedout whenever that part came onbefore. I thought when she saidthat little sister stuff, she wastalkin about her sister- in-law,the cheatin wife.
JOE
No, she did it. She killed thecheatin wife, too.
MR. PINK
You know the part in «Gypsies,Tramps and Theives,» when she says»Poppa woulda shot his if he knewwhat he’d done?» I could neverfigure out what he did.
Triste solitario y final 